Archive for October, 2009

Censored!

Tuesday, October 27th, 2009

There is a widespread attitude today which maintains that art, in all its forms, occupies a privileged position with respect to conventional morality – that it is separate from and superior to that morality, and not subject to its standards. This attitude is completely erroneous.

Censored!

Censored!

The philosopher Jacques Maritain provides us with a plain and pointed response to this shallow and impoverished way of looking at things simply by calling attention to the common sense truth that the artist is a man before he is an artist. His point is that the artist is first and foremost a rational agent, a human being, and as such he is subject to exactly the same moral obligations as is the rest of humanity. His status as an artist gives him no special moral privileges, and least of all does it place him entirely outside the realm of conventional morality.

There are two immediate implications of this, the first having to do with the artist’s personal life, the second having to do with his professional life as an artist. The artist does not have leave to become a liar, a depraved person, or a thief, no more than does any other man. And as far as his professional life is concerned, the artist has to meet the same basic obligation as does every other human fabricator – that is, he must make sure that the products of his hands reflect the truths of the moral order. Just as no artist has a license to act immorally in his personal life, so too he has no license to produce immoral works of art.

Banished?

Banished?

The responsibility of the artist in this regard is especially grave, for in many cases he is someone who has been gifted by God with unusual talents, and because of this fact he is able to have a particularly powerful in-fluence on other people. And the greater the talents, the greater the influence, for good or ill. And anyone who thinks he is immune to the deleterious effects of immoral art is only kidding himself or herself.

An artist, if he uses his talents as they were intended to be used, can be a formidable force for good in any society, and indeed, if he is a truly outstanding artist, his influence can extend across many societies and down many centuries. One thinks of the positive impact of poets such as Dante and Shakespeare, of musicians such as Haydn and Mozart. On the negative side, if an artist abuses his God-given talents, he can be the cause of deep and enduring evil. What if an artist should choose not to live up to his moral responsibilities as an artist?

What If?

What If?

What if he adopts the attitude described above and claims that art is not bound by the rules of moral law? He decides to use his art as a means of actively undermining the principles of conventional morality. Should the society in which such an artist lives and practices his art consider itself helpless in the face of irresponsibility of this kind, an irresponsibility that often parades itself as ‘artistic integrity’?

Not All!

Not All!

Not at all! Every society has not only the right, but the solemn duty, to protect itself against influences which, if left unchecked, could conceivably lead to the very dissolution of that society. And few things can prove to be more harmful to the health and well-being of any society than blatantly immoral art.

‘But, my goodness’, you might ask me, ‘you certainly are not talking about censorship, are you’?

I certainly am. We have been so bamboozled by carelessly liberal ways of thinking that we have to come to believe that censorship is the most heinous thing on the face of the earth. This is nonsense. As has been recognized by all sound thinkers since at least the time of Plato, censorship is a perfectly legitimate, and necessary, way by which any society seeks to protect and preserve the moral well-being of its citizens.

Keep Your Priorities Straight.

Keep Your Priorities Straight.

We are able, with much zeal, to unconditionally outlaw smoking in public places (which is a very strong form of the censorship of behavior), and yet see fit to allow, in the name of ‘freedom of speech’, the rampant proliferation of the most pernicious and soul-polluting kind of pornography.

Talk about not having one’s priorities straight!

Written by: Gabriella
Source: gabriella50.wordpress.com

Artist Hopes to Make Connection With Phone Booth

Tuesday, October 27th, 2009

It has nearly vanished from the American landscape. Some teenagers have never even seen one before.

But the once ever-present telephone booth has popped up on a street corner in this southwest Ohio village as part of an unusual art project and a statement about private communications in the let-everybody-know-what-I’m-doing age of Twitter and MySpace.

The project is the brainchild of Tokyo-born artist Migiwa Orimo, who had to search high and low for a phone booth before finding one in the Windy City.

“It was really in bad condition,” Orimo said. “The whole thing was black, pitted from Chicago weather on the street.”

Orimo polished up the metal structure, replaced its broken panes of glass and installed a mustard-colored telephone with a black rotary dial.

But it’s not a working phone booth. It’s a living interactive sculpture that will serve as a stage for poetry readings, light shows and dance performances over the next year.

Beginning Saturday, people will be able to walk into the phone booth, pick up the receiver and listen to a recorded rendition of the Spoon River Anthology, a collection of short poems published in 1915 that describe the life of a fictional small town. Seventy actors and others with ties to Yellow Springs were recruited to read the poetry.

“I like the intimate performance space,” said Rani Deighe Crowe, who came up with the poetry project. “You listen to this over the phone, which gives it that extra personal confessional quality.”

Crowe said she rejects the notion of trying to reach the largest possible audience, opting instead for a performance that can only be delivered to one person at a time.

“I’ve been really interested in trying to reach the smallest possible audience,” she said.

Orimo said she is trying to break the traditional boundary between the artist and audience, where people taking in the performance at the phone booth also become part of the art.

Orimo said the project is her reaction to Twitter, MySpace, surveillance cameras and other technologies designed to enable people to view and be viewed by others.

“Knowingly or unknowingly we do that every second of our lives nowadays,” she said. “But it’s all in a different kind of sphere — a virtual sphere. I wanted to sort of bring that question once again to the physical level by letting people see this piece on the street corner, which is not going to move anywhere.”

Kathy Thorne stopped to take a look at the phone booth earlier this week. She acknowledged that she is a bit overwhelmed by high-tech communication and yearns for the past.

“I wish I’d get letters from people from the mail instead of stupid e-mail,” said Thorne, of Sarasota, Fla.

U.S. pay phones — including telephone booths — numbered 2.6 million at their height in 1998, according to AT&T. The decline in pay phone usage was in part due to the growth of other communications channels such as cell phones.

While the Yellow Springs phone booth had a nostalgic effect on people old enough to remember them, it was a mystery to young people who passed by. One teen didn’t know how to open the folding door. Others commented that they remember rotary dials only from visiting their grandparents.

But Orimo has made a concession to the Twitter generation.

Inside the booth above the telephone is a digital clock/calendar. Orimo hopes that those who experience the phone booth art will record their thoughts on a log inside the booth. She plans to document what effect the phone booth has on the community over the next year.

“It redefines the notion of what an art space can be, while appropriating an everyday public facility as a place for intimate contemplation and even inspiration,” said Anne Pasternak, director of Creative Time Inc., a New York City-based organization that commissions and presents public arts projects.

Other artists have used phone booths to make statements.

Last year, Dylan Mortimer installed phone booths in New York City, Jackson, Tenn., and Cedar Rapids, Iowa, that were designed to resemble confessionals. Outfitted with flip-down kneelers, the booths were aimed at sparking dialogue about prayer.

The Yellow Springs phone booth sits on a downtown corner next to an ice cream shop and an array of wooden cafe tables. And even though it’s only been on the street for a few weeks, the phone booth has already made a splash.

Someone put a helium balloon inside the booth. And a cardboard robot appeared there last week and then vanished as quickly as it came.

“People are already finding a relationship with it,” Orimo said.

More at: www.telephoneboothproject.blogspot.com
Written by: James Hannah, The Associated Press
Source: www.daytondailynews.com

An Unusual Solution to a Broken String

Tuesday, October 27th, 2009

Drink Up Buttercup was barely three songs into its set at Cake Shop early Wednesday evening when Inevitable Bummer No. 45 happened: broken guitar string.

At this point, many bands would keep playing, out of tune. The musically considerate would pause and restring. Drink Up Buttercup, a quartet from Philadelphia that lunges joyously into every jangly chord and full-throated chorus, took the opportunity to go unplugged. Its members grabbed plastic maracas and a garbage can lid, headed into the crowd and proceeded to stomp, clap and vocalize.

A gimmick, yeah. But it brought a smile to every face I could see, and the bashing on that garbage can lid couldn’t obscure some genuinely pretty and expressive harmonies on “Lovers Play Dead,” which in a less spilled-beer-and-cellphones context could have passed as a folk song.

They made a real attempt to get the crowd to stomp and clap along, but most hands in their immediate vicinity were too busy texting and snapping photos.

Source: artsbeat.blogs.nytimes.com

The Art of Bad Driving

Friday, October 23rd, 2009

As ℓūfħer mentions on the brand new website at www.assholedrive.com, “We often strive to fight traffic,” and that is what we do. The name Asshole Drive says it all and, while the website has not many options, it’s a start.

ℓūfħer mentions that while it has just been launched and the work is progressing slow, this personal site will gain momentum as a blog and a number of resources for drivers will be added and as relationships are forged with automotive companies.

For now, however, lets get in and shame those who are being shameless.

Tom Deininger’s Incredible Recycled Art

Sunday, October 18th, 2009
Tom Deiningers incredible recycled art

Tom Deininger's incredible recycled art

First impressions aren’t always what they seem. Take this cute little bunny. It looks like a cuddly companion for a small child, but closer inspection reveals that this furry friend might be more appropriate for the smoker in your life instead. In fact, those who smoke may be the only ones who can appreciate both the rabbit’s appearance and its distinct perfume, a tobacco stench made possible by fur made from old cigarette filters.

Artist Tom Deininger collected discarded smokes from beach parking lots to create the above rabbit – which his website says “reeks of tobacco”.

Tom Deininger’s incredible recycled art

Tom Deininger’s incredible recycled art

Perhaps the most incredible piece is this portrait created from recycled materials. It may look photoshopped in to place. But you’re in for a shock when you watch the following video.

Source: derrenbrown.co.uk

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