Posts Tagged ‘paintings’

Vail: The story is in the painting

Friday, July 17th, 2009

VAIL, Colorado — When James Jensen, who will host an art show in Vail Friday and Saturday, was a young man, he wanted to be a concert pianist. His artistic endeavors eventually found a different avenue — visual art.

But the similarities between piano and paint remain noticeable to him. Like a good piece of music, each of his paintings contains a story. There’s lyricism and there’s emotion.

“I really construct them over a series of layers, and the story kind of builds up within each painting,” Jensen said. “They’re very deep. They have a composition to them. These words are also used in the building of music.”

Jensen will be bringing another batch of stories — in the form of his paintings — to Vail’s Masters Gallery for his 38th art show here.

About five years ago, Jensen made the transition from painting a lot of florals to contemporary art. He was challenged by the free-form, chaotic style of painting.

While he still incorporates some florals into his work, the paintings he will bring to Vail are largely abstract.

One piece he’s excited about is called “Alizarin Crimson,” named after the paint he used. By using only the color red, it was kind of like tying one hand behind his back, he said.

“It’s an example of me limiting myself to smaller color pallette and making it be very interesting,” Jensen said. “It’s all done in red. Red is a very strong color emotionally right off the bat. People respond to red. To make this painting very interesting I probably used 50 shades of red and a lot glazing. Glazing is a laborious process of building a painting up so it looks like it’s liquid, maybe out of water.”

Coming to Colorado is actually a homecoming for Jensen, who was raised in Fort Collins. His father is a sculptor, and he grew up surrounded by creativity.

“I was raised in kind of an unusual household where art was always going on. Just the smells and feel of materials and projects being made, ever since I can remember,” he said.

Jensen now lives in Palm Springs, Calif., where he has a studio in an old movie theater. He stands in the middle of the big space, and all the paintings are flanked around him as he works on them.

“I needed a lot of room, and it’s very theatrical, and my work really has a lot of theater to it,” he said.

Staff Writer Edward Stoner can be reached at 970-748-2929 or estoner@vaildaily.com.

The American Scene on Paper: Prints and Drawings from the Schoen Collection

Thursday, July 16th, 2009
Douglass Parshall (1899–1990), Bathers, date unknown, color lithograph on paper.

Douglass Parshall (1899–1990), Bathers, date unknown, color lithograph on paper.

COLUMBUS, GA.- The Columbus Museum of Art will openthe exhibition The American Scene on Paper: Prints and Drawings from the Schoen Collection on view through September 27. The Georgia Museum of Art developed an exhibition of American works on paper from the Jason Schoen Collection. This exhibition is a compilation of more than 100 prints and drawings from artists that represent the diversity of styles and subjects that encompassed American art from the 1930s through the 1950s.

Often referred to as the “American Scene,” this important period in American art has not had as much exposure and attention as other periods. This exhibition allows for a closer examination of the variety of attitudes and issues that occupied American artists living during those tumultuous years of the Great Depression and World War II. The opportunity to examine first-rate examples of the work of many of America’s most influential artists of those decades is provided through this compilation.

The art on view touches on the very pulse of America with expressions that run the gamut from unrestrained appreciation of the beauty of place to wry commentary on the politics and culture of the time. The diversity of style and subject suggests the energy and creative spirit that defined those years. Enduring the hardships of the Great Depression, these American artists were stimulated by national programs like the Works Progress Administration (WPA), and even when federal funding was not available, their passion for visually relating the many stories that characterized America was undaunted.

Paul Weller’s lithograph movingly captures the lonely and grim reality that Americans faced during the economic disaster of the Depression. Home offers a look at the struggle for survival. The Madonna-like mother and infant huddle beside a “Hoover-town” shack. It is made of a hodgepodge of signboards, corrugated tin and broken timbers and serves as their temporary shelter. Despite the grim circumstances that Weller portrays, the mother figure projects an aura of protectiveness for her child. She displays both dignity and self-worth through her clothing and manner. Weller’s sympathetic picture invites viewers to identify with his subjects and empathize with their troubles.

Douglass Parshall was taught to draw from an early age by his father, the landscape painter De Witt Parshall. He later studied in Boston and Paris. Early on, Douglass traveled with his family to many parts of the world, painting and learning from the varied museums they visited. In the 1930s, he supervised California artists as part of the Federal Art Project of the Works Progress Administration. While Parshall produced lithographs in addition to oil paintings and watercolors, Bathers is unusual in his work. It takes human figures as its subject as opposed to the landscapes that he often painted. The bathers strongly reflect stylized statuary, especially classical Greek sculpture. Frozen in space as though carved from marble, these California sun worshippers contrast interestingly with the stark landscape of abstracted dunes, clouds and water, as if it is all part of a diorama.

Source: http://www.artdaily.org

Drawing of a Dog in a Sweater with Oil Pastels

Sunday, July 5th, 2009

This is an 10″ x 8″ drawing of a dog in a sweater, created with oil pastels, pens, colored pencils, and a little white paint pen. The friendly pup’s name is Johnny Cash, and he’s one of the first subjects in a new series of animal portrait art drawings. The drawing style begins with light colored pencil for the initial sketch, black pen for deep dark detailed areas, oil pastels on top, and a touch of white for highlights.

Johnny’s an awesome dog with a great sense of humor. Don’t let his day naps fool you; he loves to run laps around the house. And when he gets to go to the dog park, look out! He runs non-stop! Johnny enjoys it so much that he’s fully aware of when his owner is ready to leave, and he loves a good game of chase before heading home.

Special thanks to his owner for providing a fantastic reference photo!

Drawing of a Dog in a Sweater with Oil Pastels

Drawing of a Dog in a Sweater with Oil Pastels

Capturing a Moment in Time: The Art of Frances Pineda

Saturday, July 4th, 2009
Capturing a Moment in Time

Capturing a Moment in Time

Frances Lee Pineda, from Arvada, Colorado, didn’t plan to become a self-taught artist. Her background, education and life experience were in technical fields that didn’t inspire or nurture her creative spirit. But that all changed when she retired from business and took a good look for a meaningful endeavor to fill her time.

Artist, France Pineda. (FAR® Registered Artist)

Artist, France Pineda. (FAR® Registered Artist)

“I retired at the age of 50 as the General Manager and CEO of an engineering firm which had been contracted to help clean up a plutonium facility. After so many years in technical work, I really needed a break and wanted to do something completely different. I started a property management business, but it didn’t keep me very busy.

“I felt a huge need to use my creative side. My son suggested that I take up painting in order to exercise the other side of my brain. Once I decided to concentrate on art, I went out and bought every art book I could get my hands on and started from there to teach myself as much as possible. The first year was tough, but I’ve stayed with it. I look at this as a joyful, never ending process – painting and sculpting are so completely fulfilling, I can’t imagine doing anything else!”

Frances has a clear idea of what she wants to achieve with her art. “I’ve always admired Monet. I hope to one day see what he saw and attain the skills to emulate that kind of beauty.

Mom at 18, by artist France Pineda. (FAR® ID #26784)

Mom at 18, by artist France Pineda. (FAR® ID #26784)

“I’m trying to capture a moment in time and express it with vibrant colors and shape, whether it’s an expression on a face or the gleam of light on glass. I suspect that I am no different than any other person who expresses themselves in clay and paint. It’s quiet and serene.

“I have many days where I get in the zone and feel completely satisfied, liberated and peaceful. I feel as though I’m growing in this field and I’m doing what makes me feel good. One day I expect that I will break outside the lines, so to speak, to get to where Monet was.”

Blue Glass Collection, by artist France Pineda. (FAR® ID #29107)

Blue Glass Collection, by artist France Pineda. (FAR® ID #29107)

Although she has explored various subjects in her art, Frances stays fairly consistent with still life and portraits. “I have sculpted animals and busts of members of my family and also work in oils, pastels, air brush and sketch, but mostly work in acrylics. I will eventually explore landscapes and branch out into different styles.

Butterfly on Flowers, by artist France Pineda. (FAR® ID #28265)

Butterfly on Flowers, by artist France Pineda. (FAR® ID #28265)

“All I want is to perfect my painting and sculpting skills. I paint on a daily basis, I share my work with family and friends and I will continue to register each piece in my Fine Art Registry® portfolio and post them on eBay. I want to be around people who have the same interest, and develop a co-op.”

In just two years, she has achieved a great deal and her persistence is paying off – she has sold five paintings so far this year.

Bouquet in Green Vase, by artist France Pineda. (FAR® ID #28271)

Bouquet in Green Vase, by artist France Pineda. (FAR® ID #28271)

The Fine Art Registry® Solution

Because Frances maintains a diligent painting schedule, her collection is impressive and growing.

“The house is full of paintings, every room, everywhere. My walls are full, family members’ walls are all well decorated. So what to do?

“At first I couldn’t stand the thought of selling any of my pieces (I’m sure every artist says that), but I started separating them off and putting them into categories: keep forever, give away, private collections, re-do, touch up, sell. This is where the search began for an easy method to achieve my goal: record every painting.

Through Time, by artist France Pineda.

Through Time, by artist France Pineda.

“Once I made the decision to lessen the load of paintings around the house, I started the search for a way to document my work. I searched on the web and found and compared various sites. Fine Art Registry caught my eye. FAR® was the only one that had all the elements I was looking for, and I didn’t have to devise my own numbering system. I don’t have to document sales. All of this is attainable for a very reasonable price, and with loads of credibility built in. How could one go wrong?”

Frances tags and registers her work in her FAR portfolio as soon as she completes it. To date, she has registered nearly 40 pieces.

“I want all my work to be organized. I think it’s an advantage to the buyer to know that these works are protected, that they can get to know the artist through the biography, and can trace the artwork from its inception. Provenance is very important.”

In fact, a couple of her buyers noted that they felt better because of the tag and certificate of authenticity, knowing that their piece was created and sold by the original artist.

Eclectic I, by artist France Pineda. (FAR® ID #26773)

Eclectic I, by artist France Pineda. (FAR® ID #26773)

Frances has become an outspoken supporter of the FAR system. “Some of my early works were given to family and friends. When I told them about FAR, they immediately handed back the paintings and wanted them registered and a certificate of authenticity printed!”

Frances is grateful to FAR for simplifying the process of recording and organizing her work and will continue to register each new piece. Visit Frances’ Fine Art Registry gallery.

Swipe File: Reader Tip for Transporting Paintings

Saturday, July 4th, 2009
Swipe File: Reader Tip for Transporting Paintings

Swipe File: Reader Tip for Transporting Paintings

Watercolor Artist reader Bonnie E. Rodgers of Papillion, NE, shares her latest homespun solution for a common painting problem:

“Carrying paintings around can be a challenge because of the possibility of the edges and surface becoming damaged. Pipe wrap can be used to protect any size of painting by cutting it to the length of each edge. This is a great way to package your paintings for shipping also. Simply cut the pipe wrap to the paintings size and slip on. (Note: the black version works best because it comes in sizes of 1/2-inch to 2-inch openings. The beige version shouldn’t be used because it has an adhesive that will leave residue on the painting or glass. It’s also more brittle than the black.)

“Pipe wrap is also good for carrying brushes.  It can be cut longer that the longest brush and then the brushes can be set comfortably in the center. To stop the brushes from slipping out, simply place a tissue or paper towel at the ends and secure it with a rubber band.”

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